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A macOS-style dock made of real glass. Not a blur: a displacement map built from the rounded rectangle, so whatever sits behind the slab is genuinely bent, with a chromatic split at the edges. Put it over stripes and watch a straight line leave the slab as an S.

Icons magnify along a cosine bell as the cursor approaches - neighbours grow less, the falloff is continuous, and the slab widens to hold them. A specular edge trails behind the movement, and that lag is what makes the surface read as glass.

Twenty icons are drawn by hand in the code - home, search, gallery, camera, play, music, mail, messages, profile, settings, cart, heart, star, bookmark, calendar, folder, grid, globe, bell, external link - on one grid with one stroke weight. Or bring your own image, or paste your own SVG, which is cleaned through a strict whitelist before it is used.

IMPORTANT: glass needs something to refract. Place it over a photo, a video or a gradient; on a flat white or black page there is nothing to bend. A Preview backdrop is included for designing, and it should stay off on a live site.

Real links, keyboard reachable, visible focus. Nothing loaded from outside. Honours prefers-reduced-motion and rests quietly on the Framer canvas.

63:T4a0,

Your picture, rebuilt out of characters, and alive. Nine ready character sets - Classic, Blocks, Bars, Dots, Braille and more - every one of them measured so the columns stay perfectly aligned, plus your own set if you want it. Ligatures are switched off internally, which is what stops two cells merging into a single glyph in a developer font.

Four cursor effects, each built on a different idea. Trail leaves an inertial comet behind the pointer. Reveal coarsens the whole grid into abstraction and sharpens the picture back only under your cursor. Push displaces the sampling around the pointer, and a negative value pulls instead. Scan sweeps a bar across the frame that bends as it passes the cursor - it keeps working with no mouse at all.

Three colour modes: mono, sampled from the image, or a green terminal with bloom and scanlines. Weight, column and line spacing, black clip, contrast, gamma, padding, alignment and an optional frame are all yours.

The image is sampled once, so the loop only lays down characters. Nothing is loaded from outside. Honours prefers-reduced-motion and shows one frozen frame on the Framer canvas.

64:T475,

An endless cork board. Drag to move, scroll or pinch to zoom - the point under your cursor stays exactly where it was - grab a card and it lifts under your hand, tap one and it straightens and comes forward. Press Fit and the camera glides out until every card is framed.

Cards are press clippings: a spaced mono meta line, a double rule, a condensed headline, an italic serif standfirst and a red accent. Photographs print through a 45-degree halftone screen, the way a newspaper would. Two other templates come with it - a polaroid with a handwritten caption, and a note on ruled paper.

Your visitors can add to it. Double click the cork for a note they type themselves, or drag a photo straight from the desktop and it lands as a polaroid. What they pin survives a reload, and you can switch the whole thing off for a site where nobody should be pinning anything.

Cork, paper and pins are drawn in a canvas at runtime, so nothing is downloaded. Cards fall into columns, so there are no gaps under the short ones. The loop freezes completely when nothing moves. Honours prefers-reduced-motion.

65:T434,

A gallery that behaves like a projector rather than a slideshow. The real test is a slide at rest: the grain keeps turning and dust drifts through the beam over a perfectly still photograph. That is what reads as film.

Four ways to move between slides. A light leak washes in from the edge, a film white flashes through the gate, a cross dissolve, or a straight cut. There is also a reel mode where the strip keeps rolling with frame bars between shots.

Every slide can be an image OR a video, and both get the same film chemistry, the same grain and the same transitions. Photographs are graded once when they load, so the loop only has to compose them; video is graded on the GPU, frame by frame, and only while it is actually on screen. Optionally a video slide holds for its own length instead of the fixed timing.

Arrows, dots, swipe and keyboard. Lamp warmth, halo, beam dust, gate float and grain are all adjustable. No vignette, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

66:T4e1,

Drop in a photo or a video and it comes back as a frame of Super 8 film. Not a colour filter on top: a real film chemistry - crossed channel gammas, a channel mixer that pulls reds towards orange, milky blacks with a teal lean, and creamy highlights that never clip to white. Set Look intensity to 0 and then to full and you are looking at two different colour renditions, not the same picture dimmed.

Red halation blooms around the highlights, because the red layer sits deepest in the emulsion and it is the one that bleeds. Silver grain runs on two octaves and is sized in real pixels, so it does not vanish on a retina screen. Dust comes in light and dark specks, a stray hair waves at the edge of the gate, and a vertical scratch flickers in and out.

The dressing is what sells it: turn on sprocket holes, an orange date stamp and a footage counter and it stops being a graded picture - it becomes a photogram. Every layer switches off on its own.

Video is handled frame by frame on the GPU, in a single pass. No vignette anywhere, and the gate weave sits at zero unless you ask for it. Nothing is loaded from outside. Honours prefers-reduced-motion and shows one frozen frame on the Framer canvas.

67:T42b,

A real ocean simulation - the same FFT wave spectrum used in games - running live in your hero. Three cascades of waves interfere, sharpen into crests and break into foam; a buoy rides the swell with genuine buoyancy, leaning into every wave. Drop in your own GLB model and it floats instead.

Three scene styles, one click apart: Realistic (procedural sky with clouds and horizon haze), Super 8 (warm vintage film grade with fine grain and scratches), and Cartoon (true cel-shading with inked outlines and a saturated, storybook palette).

The Simple panel drives the essentials - wind, wave height, foam, crest colour, sun and horizon. An Advanced panel opens the full engine: per-cascade FFT resolutions, choppiness, wind alignment, foam sharpness, cel tones. The physics runs in a Web Worker and the renderer adapts its resolution to keep any machine smooth.

Three.js under the hood, everything procedural, nothing loaded from outside. Honours prefers-reduced-motion, and shows a still ocean frame on the Framer canvas.

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A grid that ripples where you touch it - with real wave propagation, not a glow following the pointer. Each gesture drops an impulse that then lives on its own: its radius grows at the wave speed, its amplitude decays, and a wave packet centred on the front gives one crest and one trough with nothing behind. You see a ring expand and die, not a smear.

Impulses add up, so several rings genuinely interfere. The displacement is radial and vector-based, so the grid bulges and hollows rather than just brightening.

Dots, ticks or crosses; grid spacing, wave speed, damping and amplitude are yours, and idle ripples can keep the surface alive with no cursor at all.

Range tests run on squared distances before any square root, and the marks are drawn in six intensity bands - six fills per frame whatever the density. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A grid that ripples where you touch it - with real wave propagation, not a glow following the pointer. Each gesture drops an impulse that then lives on its own: its radius grows at the wave speed, its amplitude decays, and a wave packet centred on the front gives one crest and one trough with nothing behind. You see a ring expand and die, not a smear."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Impulses add up, so several rings genuinely interfere. The displacement is radial and vector-based, so the grid bulges and hollows rather than just brightening."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Dots, ticks or crosses; grid spacing, wave speed, damping and amplitude are yours, and idle ripples can keep the surface alive with no cursor at all."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Range tests run on squared distances before any square root, and the marks are drawn in six intensity bands - six fills per frame whatever the density. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Real waves that meet and interfere","slug":"ripple-field","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00b99-02c5-76c5-bf8b-eebefcda6d75.jpg","metadata":{"tint":{"h":240,"s":50,"l":6},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-16T17:23:20.004Z","updatedAt":"2026-08-16T17:23:20.004Z","publishedAt":"2026-08-16T17:23:20.000Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/ripple-grid","price":"9","paymentUrl":"https://buy.stripe.com/14AfZh5uZ9md0g6fMAejK0z","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"5EQDRoFsBcM0l9scFlqW","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":3,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-16T17:23:20.547Z","updatedAt":"2026-08-16T17:23:20.547Z"},{"id":"01a00b97-c819-726f-a40c-605bb3c6b2a2","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"Zw9TVuQbYrdh1DIW61FO","resolved":true,"title":"Plasma Drift","body":"

The interference of several waves over a cycling palette - the demoscene classic, done with restraint. The palette is the whole trick: two or three tones looped on themselves, never a saturated rainbow, and the hue travels as much as the brightness. That is what keeps it iridescent instead of kitsch.

The field is computed in a low-resolution buffer and scaled up bilinearly, which is what gives the soft gradient and the low cost. Directional waves are split into products of sines so there is not a single trigonometric call in the inner loop, and a fixed dither kills the quantisation rings.

Six palettes from haze to ember, plus your own three colours. Scale, speed, wave count, contrast, colour drift and pixel size are all yours.

Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"The interference of several waves over a cycling palette - the demoscene classic, done with restraint. The palette is the whole trick: two or three tones looped on themselves, never a saturated rainbow, and the hue travels as much as the brightness. That is what keeps it iridescent instead of kitsch."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The field is computed in a low-resolution buffer and scaled up bilinearly, which is what gives the soft gradient and the low cost. Directional waves are split into products of sines so there is not a single trigonometric call in the inner loop, and a fixed dither kills the quantisation rings."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Six palettes from haze to ember, plus your own three colours. Scale, speed, wave count, contrast, colour drift and pixel size are all yours."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Slow interference in three tones","slug":"plasma-drift","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00b97-580b-76d2-9770-549141490f6f.jpg","metadata":{"tint":{"h":240,"s":6,"l":25},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-16T17:21:31.084Z","updatedAt":"2026-08-16T17:21:31.084Z","publishedAt":"2026-08-16T17:21:31.081Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/plasma-field","price":"5","paymentUrl":"https://buy.stripe.com/7sYcN5g9D41T1kaeIwejK0w","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"1kPxvBFvIQ1K4qBGC7Zd","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":3,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-16T17:21:31.673Z","updatedAt":"2026-08-16T17:21:31.673Z"},{"id":"01a00b95-c9e4-714e-89f0-dae9a8a247ad","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"kqDr4TrB0egeL9cnbata","resolved":true,"title":"Prism Fan","body":"

A beam of white light fanning into a full spectrum. Thirty wavelengths are sampled from 400 to 700 nm, and the glass index for each comes from Cauchy's law - so the fan is compressed in the reds and stretched in the violets on its own. The dispersion is progressive because it is computed, not painted.

Bands keep a constant width while their separation grows with distance. Near the apex they all overlap and sum to white; they only separate further out. That is what makes it read as optics instead of a rainbow gradient.

Angle, dispersion, band width, purity and a slow sweep are yours, and a soft bloom keeps it from looking like neon stripes.

One caveat, stated plainly: the effect is additive, so it needs a dark background. Physically correct dispersion on white paper is not reproducible with canvas blending.

Nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A beam of white light fanning into a full spectrum. Thirty wavelengths are sampled from 400 to 700 nm, and the glass index for each comes from Cauchy's law - so the fan is compressed in the reds and stretched in the violets on its own. The dispersion is progressive because it is computed, not painted."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Bands keep a constant width while their separation grows with distance. Near the apex they all overlap and sum to white; they only separate further out. That is what makes it read as optics instead of a rainbow gradient."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Angle, dispersion, band width, purity and a slow sweep are yours, and a soft bloom keeps it from looking like neon stripes."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"One caveat, stated plainly: the effect is additive, so it needs a dark background. Physically correct dispersion on white paper is not reproducible with canvas blending."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"White light fanned to a spectrum","slug":"prism-fan","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00b95-4b3b-723e-b964-3eb0dcafafd9.jpg","metadata":{"tint":{"h":240,"s":50,"l":6},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-16T17:19:20.463Z","updatedAt":"2026-08-16T17:19:20.463Z","publishedAt":"2026-08-16T17:19:20.460Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/prism-split","price":"5","paymentUrl":"https://buy.stripe.com/4gM4gz6z355X2oefMAejK0s","workshop":false,"categories":[{"id":"1a3a0eb3-698e-461a-bf42-2502a7ed43e0","name":"Backgrounds","slug":"backgrounds"}],"lastSaveId":"dvajAsXu5WIR4curl04p","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":3,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-16T17:19:21.060Z","updatedAt":"2026-08-16T17:19:21.060Z"},{"id":"01a0060e-bc21-730c-8c30-7caf7e942dfb","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"ZvJ4W0Qxi7XX4AO1CJfq","resolved":true,"title":"Circuit Traces","body":"

A printed circuit board where pulses of light travel the copper. The routing is real: a walk on a square lattice limited to eight directions, so every corner is a true 45 degrees; occupancy stops traces from crossing; pads are drilled discs at the ends; and one trace in two joins an existing one, which creates junctions.

That makes the network a graph, and the pulses travel it edge by edge, drawing a new branch at each node without doubling back. They genuinely change tracks, and their tails follow the corners instead of sliding over them.

The board is baked once into an offscreen layer, so the loop only copies it and paints the comets - a dense network costs the same as a sparse one.

Trace pitch, density, colours, pulse count, speed, trail length and glow are all yours, and a seed lets you keep a layout you like. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A printed circuit board where pulses of light travel the copper. The routing is real: a walk on a square lattice limited to eight directions, so every corner is a true 45 degrees; occupancy stops traces from crossing; pads are drilled discs at the ends; and one trace in two joins an existing one, which creates junctions."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"That makes the network a graph, and the pulses travel it edge by edge, drawing a new branch at each node without doubling back. They genuinely change tracks, and their tails follow the corners instead of sliding over them."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The board is baked once into an offscreen layer, so the loop only copies it and paints the comets - a dense network costs the same as a sparse one."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Trace pitch, density, colours, pulse count, speed, trail length and glow are all yours, and a seed lets you keep a layout you like. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Pulses that follow the routing","slug":"circuit-traces","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a0060e-44ff-7529-b93d-29a10d7e9741.jpg","metadata":{"tint":{"h":0,"s":0,"l":3},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:33:43.545Z","updatedAt":"2026-08-16T17:40:24.063Z","publishedAt":"2026-08-15T15:33:43.542Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/circuit-traces","price":"9","paymentUrl":"https://buy.stripe.com/fZu5kDf5z1TLgf49ocejK0y","workshop":false,"categories":[{"id":"51314a1b-a5bd-4ae8-acf0-bd3d5058c367","name":"Charts","slug":"charts"}],"lastSaveId":"9uQUPJhL6HQ3ziYSDoCm","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:33:44.097Z","updatedAt":"2026-08-15T15:33:44.097Z"},{"id":"01a0060d-2629-7288-956e-acefd027488c","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"SyXkQMRZq0ad3euYPQAE","resolved":true,"title":"Sand Dunes","body":"

Sand ripples seen from above, drifting under the wind. Two ripple systems at different scales work against each other, so the pattern re-forms instead of simply scrolling past - that is the difference between sand and a moving texture.

The ripple profile is asymmetric, with the long slope facing the wind and the short one in its lee, and the troughs are scoured deeper. The grain of the sand sits on top at screen resolution, so it stays crisp on a retina display.

Wind direction and strength, ripple scale, crest sharpness, dune relief and the light angle are all yours. Warm sand and ash-grey palettes come ready.

The relief is computed in a reduced buffer and stretched, so a large frame costs no more than a small one. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

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A real paper surface: felted fibres, grain, uneven thickness, and a raking light that travels very slowly across it to reveal the relief. At full size it reads as rag paper, not as a repeating pattern - the felting is irregular and the tone layer runs on a different period from the fibre tile, so nothing ever lines up.

The shading of a nearly flat surface is a linear combination of two fixed images, so the height field with its 2400 drawn fibres is computed once and turning the light costs almost nothing.

This is the quiet one, on purpose. It is a premium background for a page whose content should stay the subject. If you want movement, look elsewhere; if you want a surface that makes the text above it look printed, this is it.

Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A real paper surface: felted fibres, grain, uneven thickness, and a raking light that travels very slowly across it to reveal the relief. At full size it reads as rag paper, not as a repeating pattern - the felting is irregular and the tone layer runs on a different period from the fibre tile, so nothing ever lines up."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The shading of a nearly flat surface is a linear combination of two fixed images, so the height field with its 2400 drawn fibres is computed once and turning the light costs almost nothing."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"This is the quiet one, on purpose. It is a premium background for a page whose content should stay the subject. If you want movement, look elsewhere; if you want a surface that makes the text above it look printed, this is it."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Real paper under a raking light","slug":"paper-fibers","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a0060b-4b75-7239-a04c-5cc9affaf88d.jpg","metadata":{"tint":{"h":60,"s":17,"l":51},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:30:22.689Z","updatedAt":"2026-08-15T15:30:22.689Z","publishedAt":"2026-08-15T15:30:22.683Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/paper-fibers","price":"5","paymentUrl":"https://buy.stripe.com/eVqaEX2iN55X4wm8k8ejK0u","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"6ONuxH0UoTk2cJUoWttM","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:30:23.260Z","updatedAt":"2026-08-15T15:30:23.260Z"},{"id":"01a0060a-10cb-7221-a2c5-0ba29868558a","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"1pbKOqmDepPprSLzft0k","resolved":true,"title":"Isometric Blocks","body":"

A field of isometric blocks with a swell running through it: domes rise, valleys open, and the blocks properly hide one another. Faces are lit differently on top and on the sides, so the volume reads instantly.

Three swell shapes. The crossed one gives a rolling landscape, the radial one sends rings out from the centre, and both are deliberately set off-axis - run a swell along the grid axis and whole rows rise together, which flattens the relief completely.

The cursor lifts a plateau out of the terrain: the pointer is projected onto the ground plane first, so the bulge is a disc lying on the floor seen in perspective, not a circle stuck to the screen.

A colour table is baked at mount, and the block count is capped, so pushing the density costs nothing extra. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A field of isometric blocks with a swell running through it: domes rise, valleys open, and the blocks properly hide one another. Faces are lit differently on top and on the sides, so the volume reads instantly."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Three swell shapes. The crossed one gives a rolling landscape, the radial one sends rings out from the centre, and both are deliberately set off-axis - run a swell along the grid axis and whole rows rise together, which flattens the relief completely."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The cursor lifts a plateau out of the terrain: the pointer is projected onto the ground plane first, so the bulge is a disc lying on the floor seen in perspective, not a circle stuck to the screen."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"A colour table is baked at mount, and the block count is capped, so pushing the density costs nothing extra. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"A block field crossed by a swell","slug":"isometric-blocks","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00609-a9b6-7738-bb8e-6f71adf3572d.jpg","metadata":{"tint":{"h":180,"s":67,"l":9},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:28:37.423Z","updatedAt":"2026-08-15T15:28:37.423Z","publishedAt":"2026-08-15T15:28:37.420Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/isometric-blocks","price":"12","paymentUrl":"https://buy.stripe.com/4gM7sL1eJ8i92oe1VKejK0A","workshop":false,"categories":[{"id":"1a3a0eb3-698e-461a-bf42-2502a7ed43e0","name":"Backgrounds","slug":"backgrounds"}],"lastSaveId":"MVmuRnX4zuYboVX63P5V","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:28:38.091Z","updatedAt":"2026-08-15T15:28:38.091Z"},{"id":"01a00608-95a6-71cb-ba28-af63dd578d0c","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"3JIYqCXJ3Ip0EFZZoID4","resolved":true,"title":"Voronoi Cells","body":"

A tiling of organic cells that breathes slowly, and pushes away from your cursor. It is a real Voronoi diagram, rebuilt each frame by half-plane clipping - so the edges are vector-sharp at any screen density, where the usual per-pixel method goes soft. A geometric rejection test means 150 seeds cost barely more than 40.

All the cells are lit from one direction, so the surface reads as cut facets rather than confetti, and the hues are drawn from a low-frequency field so colours group into regions instead of scattering.

On top sits a holographic film, the kind on a collectible card: the hue of each facet comes from the tilt of the surface, and tilting is done by moving the cursor. A reflection band sweeps across, and each facet carries its own small rainbow. Soft by default, prismatic if you want it loud.

Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A tiling of organic cells that breathes slowly, and pushes away from your cursor. It is a real Voronoi diagram, rebuilt each frame by half-plane clipping - so the edges are vector-sharp at any screen density, where the usual per-pixel method goes soft. A geometric rejection test means 150 seeds cost barely more than 40."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"All the cells are lit from one direction, so the surface reads as cut facets rather than confetti, and the hues are drawn from a low-frequency field so colours group into regions instead of scattering."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"On top sits a holographic film, the kind on a collectible card: the hue of each facet comes from the tilt of the surface, and tilting is done by moving the cursor. A reflection band sweeps across, and each facet carries its own small rainbow. Soft by default, prismatic if you want it loud."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Cells with a holographic sheen","slug":"voronoi-cells","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00608-33ee-75d1-bc1d-724442187340.jpg","metadata":{"tint":{"h":160,"s":38,"l":13},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:27:00.512Z","updatedAt":"2026-08-15T15:27:00.512Z","publishedAt":"2026-08-15T15:27:00.499Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/voronoi-cells","price":"9","paymentUrl":"https://buy.stripe.com/6oUbJ15uZ7e59QGcAoejK0x","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"PtHUs1JNJumDIPCZbwgu","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":3,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:27:01.030Z","updatedAt":"2026-08-15T15:27:01.030Z"},{"id":"01a00605-3dbf-75bb-a9d3-6405451da006","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"PGr2pcinDXqWwo8KoGfM","resolved":true,"title":"Bokeh Depth","body":"

Out-of-focus lights at four depths, with parallax: the near ones swing further than the far ones as the cursor moves. Each disc is actually blurred rather than faked with a gradient, and brightness falls in inverse ratio to area - a defocused point spreads the same light over a bigger disc, so the big near circles are necessarily paler. Without that rule the whole thing saturates into white mush.

Three apertures: round, straight blades, and soap bubble with a hot rim. Curved blades too, like a modern lens. Chromatic aberration lines the edge of each disc cool outside and warm inside, the way real glass does.

Focus drift slowly closes one plane into crisp points and opens it again, so the picture has two registers instead of one. Lens dust sits on top and only lights up where light passes.

Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"Out-of-focus lights at four depths, with parallax: the near ones swing further than the far ones as the cursor moves. Each disc is actually blurred rather than faked with a gradient, and brightness falls in inverse ratio to area - a defocused point spreads the same light over a bigger disc, so the big near circles are necessarily paler. Without that rule the whole thing saturates into white mush."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Three apertures: round, straight blades, and soap bubble with a hot rim. Curved blades too, like a modern lens. Chromatic aberration lines the edge of each disc cool outside and warm inside, the way real glass does."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Focus drift slowly closes one plane into crisp points and opens it again, so the picture has two registers instead of one. Lens dust sits on top and only lights up where light passes."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Defocused lights at four depths","slug":"bokeh-depth","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00bb9-b710-716a-9ab5-772f70c14c20.jpg","metadata":{"tint":{"h":240,"s":50,"l":6},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:23:21.132Z","updatedAt":"2026-08-16T17:59:15.630Z","publishedAt":"2026-08-15T15:23:21.115Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/bokeh-depth","price":"5","paymentUrl":"https://buy.stripe.com/eVq6oHg9D41T3sieIwejK0t","workshop":false,"categories":[{"id":"1a3a0eb3-698e-461a-bf42-2502a7ed43e0","name":"Backgrounds","slug":"backgrounds"}],"lastSaveId":"EOoWoUrvNgjiAb9vQLOT","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:23:21.919Z","updatedAt":"2026-08-15T15:23:21.919Z"},{"id":"01a00603-8d1b-7628-87a2-8a9e3b985668","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"fGFZdR8IuQiymdY853lH","resolved":true,"title":"Sun Beams","body":"

Shafts of sunlight through a window, with dust floating in them. The beam profile is baked one pixel-row at a time, so the edges stay smooth however far the shaft is stretched across the frame - built from a handful of slices it would show visible steps.

The dust computes its own lighting against the same divergence profile, so a mote only sparkles where the beam actually is, each on its own phase, drifting upward. That is what sells the volume.

The source is placed along the beam axis rather than in fractions of the frame, so the angle stays right on a wide banner and on a phone column alike. Angle, spread, count, warmth, haze and dust are all yours, and the beam can follow the cursor.

Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"Shafts of sunlight through a window, with dust floating in them. The beam profile is baked one pixel-row at a time, so the edges stay smooth however far the shaft is stretched across the frame - built from a handful of slices it would show visible steps."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The dust computes its own lighting against the same divergence profile, so a mote only sparkles where the beam actually is, each on its own phase, drifting upward. That is what sells the volume."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The source is placed along the beam axis rather than in fractions of the frame, so the angle stays right on a wide banner and on a phone column alike. Angle, spread, count, warmth, haze and dust are all yours, and the beam can follow the cursor."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Light shafts with dust in the beam","slug":"sun-beams","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00603-1253-711e-978f-f448a8289a51.jpg","metadata":{"tint":{"h":0,"s":0,"l":9},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:21:30.594Z","updatedAt":"2026-08-15T15:21:30.594Z","publishedAt":"2026-08-15T15:21:30.591Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/sun-beams","price":"5","paymentUrl":"https://buy.stripe.com/4gMcN59Lf8i97Iy9ocejK0r","workshop":false,"categories":[{"id":"1a3a0eb3-698e-461a-bf42-2502a7ed43e0","name":"Backgrounds","slug":"backgrounds"}],"lastSaveId":"SmPj0m5Im6MexwqS59Xs","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:21:31.163Z","updatedAt":"2026-08-15T15:21:31.163Z"},{"id":"01a00602-0231-77ff-b5bd-d8a004fd855c","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"5A8mcAsuZNPpwKfIDdao","resolved":true,"title":"Rain on Glass","body":"

Rain on a window, with drops that genuinely refract. Each drop redraws whatever is behind it, sampling a wider region flipped on both axes - a spherical lens forming an inverted wide-angle image. Put a grid behind it and the lines inside a drop come out several times finer, broken at the boundary. A blur cannot do that.

The physics runs: condensation grows, crosses a weight threshold and starts running; a runner absorbs what it crosses, so volumes add and it accelerates; it stalls and starts again. Trails punch through the fog, which slowly re-condenses. The pointer wipes the glass too.

Drops are brighter than the glass around them, because a lens collects light over its aperture - without that they read as bubbles.

Drop your own photo behind the glass, or use one of the built-in backdrops. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"Rain on a window, with drops that genuinely refract. Each drop redraws whatever is behind it, sampling a wider region flipped on both axes - a spherical lens forming an inverted wide-angle image. Put a grid behind it and the lines inside a drop come out several times finer, broken at the boundary. A blur cannot do that."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The physics runs: condensation grows, crosses a weight threshold and starts running; a runner absorbs what it crosses, so volumes add and it accelerates; it stalls and starts again. Trails punch through the fog, which slowly re-condenses. The pointer wipes the glass too."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Drops are brighter than the glass around them, because a lens collects light over its aperture - without that they read as bubbles."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Drop your own photo behind the glass, or use one of the built-in backdrops. Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Drops that bend what is behind","slug":"rain-on-glass","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a00601-9c6f-7741-a81f-8c3f4879d1bb.jpg","metadata":{"tint":{"h":0,"s":0,"l":17},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:19:49.521Z","updatedAt":"2026-08-16T18:15:16.660Z","publishedAt":"2026-08-15T15:19:49.518Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/rain-on-glass","price":"9","paymentUrl":"https://buy.stripe.com/dRm9AT8Hbaqh5Aq8k8ejK0D","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"wkp96lgZVvuRI5McKtEl","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":2,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:19:50.065Z","updatedAt":"2026-08-15T15:19:50.065Z"},{"id":"01a00600-576b-7665-a9cd-dfc7d755b0aa","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"dZX6PPgIjTbbB8niu3lv","resolved":true,"title":"Marble Flow","body":"

Liquid marble: veins that coil into slow spirals, the way agate does. Two stages of domain-warped noise, and the veins are the iso-lines of the final field - so their width varies with the local gradient, exactly like real stone where a vein thins as it turns.

Deliberately slow. This is a background for a page that wants to feel expensive, not a psychedelic wallpaper. Gold, white and ink palettes come ready, and every colour is yours.

The swirl uses a saturating radius: pushed to the maximum it still reads as stone instead of shearing into radial streaks.

WebGL, one pass, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"Liquid marble: veins that coil into slow spirals, the way agate does. Two stages of domain-warped noise, and the veins are the iso-lines of the final field - so their width varies with the local gradient, exactly like real stone where a vein thins as it turns."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Deliberately slow. This is a background for a page that wants to feel expensive, not a psychedelic wallpaper. Gold, white and ink palettes come ready, and every colour is yours."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"The swirl uses a saturating radius: pushed to the maximum it still reads as stone instead of shearing into radial streaks."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"WebGL, one pass, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Liquid marble veins that turn","slug":"marble-flow","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a005ff-f2fe-71f1-9f04-01ccfce63de0.jpg","metadata":{"tint":{"h":60,"s":17,"l":51},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:18:00.298Z","updatedAt":"2026-08-15T15:18:00.298Z","publishedAt":"2026-08-15T15:18:00.084Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/marble-flow","price":"5","paymentUrl":"https://buy.stripe.com/4gMeVdbTnbuld2ScAoejK0C","workshop":false,"categories":[{"id":"1a3a0eb3-698e-461a-bf42-2502a7ed43e0","name":"Backgrounds","slug":"backgrounds"}],"lastSaveId":"FKIIUZeRsAhyBwfmD7Qg","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":6,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:18:00.812Z","updatedAt":"2026-08-15T15:18:00.812Z"},{"id":"01a005fe-eacc-73e6-a3b9-53e47376676a","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"TJ0byRa2jYXPD9eP6cxa","resolved":true,"title":"Caustics Pool","body":"

The light net that dances on the bottom of a swimming pool. Not a noise field with a blue tint: a real caustic construction. A wave surface refracts light, and the bright filaments are exactly the folds where the light rays pile up - they are computed, not drawn. That is why they pinch, split and reconnect the way real ones do.

Three evaluations at slightly different refraction give colour fringes along the filament edges, the way water splits light.

Perspective tilts the pool away from you so it reads as a floor rather than wallpaper. Flow direction and current drive the drift, and the far side moves slower. Filament width goes from fine hairs to broad ribbons, and water contrast darkens the depth without touching the light.

WebGL, one pass, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.

","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"The light net that dances on the bottom of a swimming pool. Not a noise field with a blue tint: a real caustic construction. A wave surface refracts light, and the bright filaments are exactly the folds where the light rays pile up - they are computed, not drawn. That is why they pinch, split and reconnect the way real ones do."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Three evaluations at slightly different refraction give colour fringes along the filament edges, the way water splits light."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"Perspective tilts the pool away from you so it reads as a floor rather than wallpaper. Flow direction and current drive the drift, and the far side moves slower. Filament width goes from fine hairs to broad ribbons, and water contrast darkens the depth without touching the light."}]},{"type":"paragraph"},{"type":"paragraph","content":[{"type":"text","text":"WebGL, one pass, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas."}]}]},"introduction":"Pool light dancing on the floor","slug":"caustics-pool","author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[{"type":"image","url":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/01a005fe-8346-762a-b259-12ba30c916f8.jpg","metadata":{"tint":{"h":180,"s":67,"l":9},"width":2400,"height":1800}}],"post":null,"createdAt":"2026-08-15T15:16:26.929Z","updatedAt":"2026-08-15T15:16:26.929Z","publishedAt":"2026-08-15T15:16:26.925Z","featuredAt":null,"approvedAt":null,"type":"component","attributes":{"url":null,"previewUrl":"https://jazzed-hexagon-627045.framer.app/caustics-pool","price":"5","paymentUrl":"https://buy.stripe.com/dRm8wP6z341T5AqcAoejK0B","workshop":false,"categories":[{"id":"323e97d6-f443-488c-8661-794a9a83a20f","name":"Effects","slug":"effects"}],"lastSaveId":"5Kp5jA9DylF3luEPZ84l","tags":[]}}],"contests":[],"categories":[],"tags":[],"likes":{"count":3,"liked":false},"comments":{"count":0},"reposts":{"count":0,"reposted":false,"repostId":null},"version":1,"edited":false,"editedAt":null,"createdAt":"2026-08-15T15:16:27.468Z","updatedAt":"2026-08-15T15:16:27.468Z"},{"id":"01a00543-dcb7-76a7-8fa2-45b73aeedab6","title":null,"body":null,"bodyJson":null,"author":{"framerUserId":"84056947-c5e8-41eb-8f22-456fbd7f0c88","name":"Lucas","slug":"gatyh","avatar":"https://y4pdgnepgswqffpt.public.blob.vercel-storage.com/media/84056947-c5e8-41eb-8f22-456fbd7f0c88/4jeo79l3","followed":false,"followsYou":false},"media":[],"resources":[{"id":"tlG4XMIO2QxFBmM3Ekxq","resolved":true,"title":"Refraction Dock","body":"$62","bodyJson":{"type":"doc","content":[{"type":"paragraph","content":[{"type":"text","text":"A macOS-style dock made of real glass. 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Your image or video, dressed as a camera viewfinder. Two looks: warm Super 8, or a late-eighties camcorder with its electronic readout.

In camcorder mode the whole overlay is drawn into a canvas at a third of the resolution and blown up with smoothing switched off, so the letters have genuine pixel staircases instead of a thin font pretending to be old. The timecode really counts up, the audio meter follows a speech envelope with its silences, and the battery turns red and blinks below twenty percent.

Choose what appears: REC light and its behaviour, running time, date stamp and its format, battery, audio meter, framing corners or a crosshair, zoom bar and focal length, plus a free text line. Colours are yours.

Shake sits at zero by default and there is no vignette at all. Nothing is loaded from outside. Honours prefers-reduced-motion and shows a still frame on the Framer canvas.

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