Designer who codes. Developer who art directs. Building templates, components and custom experiences with Framer.
Bento Card started with a simple idea:
What if a bento layout could feel more tactile without becoming distracting?
The goal wasn't to add more animation.
It was to create a more natural relationship between the cursor, the content, and the layout.
One principle guided every decision in MIU:
Confidence doesn't need noise.
Clean typography. Intentional spacing. Motion that supports the experience instead of stealing attention.
The goal isn't to make the template memorable.
It's to make your work unforgettable.
I designed MIU with one simple idea:
Your portfolio should feel invisible.
Not because it's plain.
But because every design decision helps people focus on what really matters—your work.
That's the kind of experience I always try to build.
I believe a portfolio should amplify your work, not the template itself.
MIU was designed around that idea:
• restrained motion • clean typography • generous spacing • a quiet visual language
The goal is simple: let your projects become the hero.
A small design thought:
There's a big difference between motion and interaction.
Motion plays on its own.
Interaction responds to people.
The second one is much harder to design—and much more rewarding when it feels right.
That's the direction I'm trying to push with every component I build.
One lesson I've learned from building Framer templates and components:
The most difficult design decision is often what not to add.
It's tempting to keep layering effects, interactions, and visual details.
But in my experience, the projects that age best are usually the ones where every element has a clear reason to exist.
Where do you draw the line between "delightful" and "too much"?
When designing MIU, I kept asking myself one question:
"What if the portfolio disappeared?"
Not literally—but visually.
Less decoration. More hierarchy. More breathing room. More focus on the work itself.
Sometimes the best portfolio is the one users barely notice because they're too busy looking at your projects.
What do you think is the most overlooked part of a portfolio design?
After Flow and Ring, here's the third layout in Motion Canvas: Sphere.
I wanted to explore a different way of presenting image collections—not as a static grid, but as something users can naturally interact with.
Same component. Three distinct experiences.
If you had to choose just one, which layout fits your work best: Flow, Ring, or Sphere?
Not every gallery needs to be a grid.
Ring Mode wraps your images into a smooth infinite loop that feels alive while keeping the content front and center.
A simple way to add personality to portfolios, creative studios, product showcases, and landing pages—without overwhelming the interface.
Motion Canvas now includes Flow, Ring, and Sphere, each designed for a different storytelling style.
Which mode would you use first?
Motion Canvas · Three layouts. Endless motion.
Meet Flow — the first of three layouts included in Motion Canvas.
Designed as a continuous stream of images, Flow brings subtle motion and rhythm to your interface while letting your content stay in focus.
Ring and Sphere are coming next.
Great product websites aren't static.
They're designed to evolve.
CoreSpace was built with scalability in mind—from reusable components to a CMS-first structure.
Customer stories shouldn't live in a slider.
They deserve their own experience.
CoreSpace includes a CMS-powered storytelling system designed to showcase real customer success.
Products are remembered.
Stories are shared.
CoreSpace was designed to give customer stories the same importance as product features.
Every section should have a purpose.
Every interaction should support the product.
That's the design philosophy behind CoreSpace.
Your website shouldn't be the most interesting thing on the page.
Your product should.
CoreSpace was designed to keep the focus where it belongs.
Good portfolios don't rush.
They create rhythm.
INKY was designed to make every scroll feel intentional.
Motion should support the work.
Never compete with it.
INKY was designed so every interaction naturally guides attention back to the portfolio.
Your portfolio shouldn't feel like a gallery.
It should feel like a story.
INKY was built to turn every project into part of a larger narrative.
Great portfolios don't compete with the work.
They amplify it.
INKY was designed to let every project take center stage.
Beautiful design gets attention.
Trust creates connection.
Rise was designed to make every interaction feel calm, intentional and welcoming.
