As someone obsessed with 3D, this is easily my favorite part of my new portfolio.
Built in @Framer
Visitors don't have time to read.
That's why I use 3D, motion and interaction to turn a hero section into an explanation.
One scroll.
One story.
Zero confusion.
@Framer + claude
it's insane combination thanks to the new Agent
I study what makes a stranger trust something is real.
Then how damn easy it is to use.
The details do the work.
Made in @Framer
I didn't just build this website. I built the vehicle inside it too.
Every panel, every reflection, every gap — modeled by hand in Blender, then brought into Framer.
This client and I have worked together for years. Every time the product changes, the site changes with it — same identity, same quality, every time.
That's what a design partner does. A freelancer ships a file and disappears.
This era of AI doesn't make design easier. It makes it faster.
My new portfolio has almost nothing on it.
Four videos. Some text. That's it.
Good products don't add features just to look serious. They ship what's needed and nothing else.
When your target is specific enough, your portfolio can be too.
Built in @Framer
Details you don't notice consciously are the ones that make you trust a product.
made in @Framer
Rebuilding my portfolio in @Framer
Again.
I don't think designers are ever truly satisfied with their own portfolio.
And honestly, that's probably a good thing.
Tell me your favourite screen here:
Most designers think multidisciplinarity means knowing more tools.
Figma. Framer. Blender. After Effects.
Wrong.
I've built websites, vehicles, 3D worlds, and brand systems — all with a completely different toolkit each time.
The only thing that stayed the same?
The process.
— Understand the values first.
— Then translate them into an experience.
— Then pick the tool that serves that experience.
The tool is the last decision. Not the first.
