NOWMO
NOWMO

NOWMO

Designer who codes. Developer who art directs. Building templates, components and custom experiences with Framer.

ExpertFranceFrom $5K
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CORESPACE — Cards

Good structure reduces the need for explanation.

Cards can do more than contain information. They can show relationships, establish hierarchy and make complex products easier to understand.

The interface starts doing some of the talking.

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GINGER — Card Reveal

You don't have to show everything at once.

Keeping information hidden until it's useful can make an interface feel simpler without actually removing content.

With GINGER, interaction becomes part of how the project is revealed.

Let interaction reveal the story.

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MIU — The End

We spend a lot of time designing how people enter a portfolio.

But the last interaction matters too.

It's the moment that can turn browsing into another project, a conversation, or a reason to come back.

A good experience deserves a considered ending.

https://framer.link/TraLW7I

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MIU — Overlays

More content doesn't have to mean more clutter.

Overlays create another layer of information without asking the main layout to accommodate everything at once.

It's a simple way to preserve visual hierarchy while giving visitors room to explore.

Reveal more. Show less.

https://framer.link/TraLW7I

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MIU — Sticky

Good interaction can keep context while content changes.

Sticky elements are often treated as a visual effect, but they can do something more useful: preserve context while the rest of the page continues to unfold.

Keep what matters in view.

https://framer.link/TraLW7I

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MIU — Selected Work

A portfolio isn't an archive. It's an edit.

Giving every project the same visual importance can make the strongest work harder to find.

Selected Work creates hierarchy before the visitor even starts browsing.

Selection is part of the design.

https://framer.link/TraLW7I

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MIU — Introduction

A portfolio doesn't need to say everything at once.

Sometimes the first screen only needs to establish a point of view.

MIU keeps the introduction deliberately minimal, giving the rest of the portfolio room to unfold as you explore.

Less introduction. More identity.

https://framer.link/TraLW7I

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MOTION CANVAS — Ring

Motion doesn't need speed to create energy.

A slower, continuous movement can give a gallery rhythm without turning the images into background noise.

The challenge is keeping things moving while still giving each image enough time to be seen.

Sometimes rhythm is enough.

https://framer.link/SKU8NQn

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MOTION CANVAS

A gallery doesn't need to wait for interaction.

Motion can exist as part of the composition itself — creating rhythm, depth and continuity before the user does anything.

Three layouts. Endless motion.

https://framer.link/SKU8NQn

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OVERLAP — Full Experience

A portfolio can be a composition, not a collection of cards.

OVERLAP combines two interactions into one system, letting projects share space, move through layers and create relationships with each other.

The interaction becomes part of the art direction.

https://framer.link/b6Ttzsy

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OVERLAP — Interaction 02

Depth can be part of the navigation.

Instead of treating every project as an isolated card, OVERLAP lets them move through the same visual space.

The layering creates hierarchy, rhythm and a stronger sense of continuity between projects.

https://framer.link/b6Ttzsy

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OVERLAP — New Component

Not every portfolio needs a grid.

OVERLAP explores a more editorial way of presenting projects — letting multiple pieces share the same space instead of separating everything into individual cards.

The interaction becomes part of the composition.

https://framer.link/b6Ttzsy

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RISE — Scroll

Motion can create hierarchy without adding more UI.

What appears first, what follows, and how quickly it arrives all influence where attention goes.

For RISE, the sequence does part of the design work — creating rhythm and direction without adding another visual element.

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Just shipped Overlap — a CMS-powered project showcase with layered scroll reveals, image parallax and floating vignettes.

Built for portfolios that need something more expressive than a standard grid or carousel.

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RISE — Scroll

Good scroll doesn't ask to be noticed.

Its job is to create continuity between sections, not turn every transition into an event.

For RISE, the motion stays deliberately quiet — keeping the page flowing while letting the content remain the focus.

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RISE — Loader

The first transition sets the pace.

If the rest of the interface is calm and considered, the loading experience should speak the same language.

For RISE, that meant keeping the transition quiet and restrained — setting the rhythm before the content even appears.

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RISE — Hover

The quieter the interface, the more every interaction matters.

Too much motion breaks the mood.

Too little and the experience can feel static.

For RISE, the hover sits somewhere in between — just enough feedback to make the interface feel alive without asking for attention.

RISE — Free Website Template for Framer
framer.link · Wellness Coach & Therapist — RISE is a free H…
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CORESPACE — Stories

Features tell people what a product does.

Stories give them a reason to care.

Putting the product into context helps turn functionality into something easier to understand — and easier to imagine using.

Sometimes the best way to explain a product isn't another feature list.

It's a story.

CoreSpace — Free Website Template for Framer
framer.link · SaaS, Startup & AI Template — CoreSpace is a …
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CORESPACE — Loader

A loader is usually treated as something users have to wait through.

But those seconds are still part of the experience.

Use them to introduce the visual language. Create anticipation. Then reveal the interface.

Even waiting can feel intentional.

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CORESPACE — Gooey Effect

Not every interaction needs a functional purpose.

Sometimes its job is simply to give the interface personality.

For CORESPACE, this little gooey interaction breaks away from the rigidity you often see in SaaS design.

Still restrained. Just a little less predictable.