62:I[267044,["/creators-assets/_next/static/immutable/chunks/356g_j0l71_46.js","/creators-assets/_next/static/immutable/chunks/3gx96u50v9idb.js","/creators-assets/_next/static/immutable/chunks/125_ce2ese0y_.js","/creators-assets/_next/static/immutable/chunks/2ii8lkleumgkk.js","/creators-assets/_next/static/immutable/chunks/1jubx4t_1hq7l.js","/creators-assets/_next/static/immutable/chunks/0c6romi9ma0is.js","/creators-assets/_next/static/immutable/chunks/069_m7850i8jf.js","/creators-assets/_next/static/immutable/chunks/03586ab1rea-b.js","/creators-assets/_next/static/immutable/chunks/19qq0hy3mz_vv.js","/creators-assets/_next/static/immutable/chunks/2oixy7hansmjm.js","/creators-assets/_next/static/immutable/chunks/2rczsbgoa3afm.js","/creators-assets/_next/static/immutable/chunks/2a63j-5qkrdf4.js","/creators-assets/_next/static/immutable/chunks/2504rifrkrd_l.js","/creators-assets/_next/static/immutable/chunks/0-lv0573a1cyl.js","/creators-assets/_next/static/immutable/chunks/3kkqflhmmpg9p.js","/creators-assets/_next/static/immutable/chunks/0ib-rcz4b0eq3.js","/creators-assets/_next/static/immutable/chunks/0mgwzh6o644jl.js","/creators-assets/_next/static/immutable/chunks/24gcuxpvxd8dy.js","/creators-assets/_next/static/immutable/chunks/0xd4yj8g3g-ci.js","/creators-assets/_next/static/immutable/chunks/2-y_r3u4wh2s3.js","/creators-assets/_next/static/immutable/chunks/3vd9_7_mqx0kl.js","/creators-assets/_next/static/immutable/chunks/3l37d07td4kzk.js","/creators-assets/_next/static/immutable/chunks/14h9277o22-rl.js","/creators-assets/_next/static/immutable/chunks/3nw4q_evu8ge1.js","/creators-assets/_next/static/immutable/chunks/3o5qsyzxffd89.js","/creators-assets/_next/static/immutable/chunks/0sdd6rzuigoor.js","/creators-assets/_next/static/immutable/chunks/04onqby6uwgz7.js","/creators-assets/_next/static/immutable/chunks/16d5vpfsnfybw.js","/creators-assets/_next/static/immutable/chunks/3f4d4x4z1mrzh.js","/creators-assets/_next/static/immutable/chunks/0yulab_mho2q7.js","/creators-assets/_next/static/immutable/chunks/3_6nvj55e699g.js","/creators-assets/_next/static/immutable/chunks/2r15b2hek61lg.js","/creators-assets/_next/static/immutable/chunks/14pxn0b6e1dc9.js","/creators-assets/_next/static/immutable/chunks/0pc9t50m5x90i.js","/creators-assets/_next/static/immutable/chunks/3fyhezch4qqad.js","/creators-assets/_next/static/immutable/chunks/3eh5q_6ksmw0l.js","/creators-assets/_next/static/immutable/chunks/2rdaqkxiyeq_6.js","/creators-assets/_next/static/immutable/chunks/2qeyp4zfa4qwb.js","/creators-assets/_next/static/immutable/chunks/0v2aom8xv86j9.js","/creators-assets/_next/static/immutable/chunks/19r4rf2zyng-y.js","/creators-assets/_next/static/immutable/chunks/0s-n7u5-dwtml.js"],"S"] 63:T617,

An accordion that holds real sections, not just a paragraph.

Drop Framer frames into the slot and each one becomes a panel body: a form, a table, a grid of cards, anything you would build on a page. The headings are a line of text each.

It measures the real height rather than guessing a max height, then releases to auto once the panel has settled. That is the part most accordions get wrong: a guessed height clips content that grows later, and content that grows later is the normal case for anything with an image or a web font in it.

Reachable without a mouse. Up and down move between headings, Home and End jump to the ends, Enter and Space open, and whether the ends wrap is a control rather than a decision made for you. The focus ring is visible.

Linkable. A panel has a stable id, so a URL ending in that id opens it on arrival, which is what a support page needs when somebody is sent straight to one answer.

One open at a time or several, and whether the last open panel can be closed is yours. Icon style, divider, duration, padding, radius, font and every colour are property controls.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

Licence: yours to use on your own sites and on client sites, commercially, with no attribution. Not for resale or redistribution: do not share the component URL, and do not publish the component or its code anywhere, paid or free. Full terms arrive with your purchase. Questions: me@majedesigns.dev

64:T62d,

A gallery that filters itself, with no CMS behind it.

Items are plain lines of text, one per line: a label, then its tags. That is the whole authoring step. Or drop Framer frames into the slot and give them a tag line each. Nothing is fetched, nothing is synced, and there is no collection to set up first.

The chips are built from the tags themselves, in the order they first appear, each carrying a count. A chip that would leave the wall empty is disabled rather than removed, so the row does not reflow under a visitor's finger while they are reading it.

Filtering animates the layout rather than the opacity. A tile that survives a filter change glides to its new place instead of blinking out and back, which is the difference between a wall that re-sorts and a wall that flickers. Under reduced motion it jumps.

Columns balance onto the shortest one, so a filter that leaves five items does not leave one column holding four of them.

Single select, or multi select in any or all mode. Columns, minimum tile width, gap, counts, the All chip, radius, duration, easing, font and every colour are property controls.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

65:T706,

A preloader that waits for the page rather than for a timer.

Most preloaders are an animation with a duration typed into a control. This one reads what the browser is doing: the document's own ready state, the fonts, and the images already on the page. The figure on screen is a real fraction of real work.

Two things a timer cannot do. There is a floor, so a page served from cache does not flash the veil for a fortieth of a second and leave a flicker behind. And there is a ceiling, so one stalled image can never hold a visitor behind a curtain: past it the veil lifts anyway and the page is there.

The counter only ever goes up. A percentage that drops reads as a broken page, so the shown figure eases toward the real one and never retreats, and it does not reach 100 until everything it waits for has arrived.

Lift it as a wipe, a split, or a fade. Under reduced motion it leaves without the animation.

Inside its own frame by default, so it is safe to drop on a canvas and see; one control makes it cover the viewport when you ship. Hold it at a fixed figure while you style it: the same control seeds the editor and the published page, so what you design is what a visitor gets.

Coverage, minimum and maximum wait, exit style and speed, counter, decimals, label, bar, radius, font and every colour are property controls.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

66:T6f8,

A row of anything, grabbed and thrown. Momentum, a soft end, and a snap onto whichever card the throw was going to land on.

The snap points are measured off the cards themselves, not calculated from a card width times an index, so a rail of mixed-width content lands on a card every time instead of drifting off with each one. Where a throw would come to rest is worked out in closed form the moment the finger lifts, so the rail commits to one card and glides there rather than changing its mind halfway.

Velocity is measured over the last moment of the drag, not the final two pointer events. Two events one millisecond apart turn a two-pixel wobble into a two-thousand-pixel throw, and a finger that stops before lifting should not fling.

It never eats the page scroll. The vertical axis stays with the browser, so a finger dragging down the page still scrolls it, and a trackpad only takes a sideways gesture.

Reachable without a pointer: the rail takes focus, arrow keys step one card and stop at the ends rather than wrapping, and the focus ring is visible. Under reduced motion it moves without the glide.

Drop any Framer frames into the slot, or leave it empty for its own cards. Snap on or off, snap to the start or the centre, glide, end give, trackpad, arrows, dots, edge fade, radius and colours are all controls.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

67:T6fe,

Numbered pins on any picture, each opening a card that stays inside the frame.

The card is placed, not offset: it tries below the pin, then above, then either side, and takes the first position that fits whole. If a pin sits in a corner on a phone and nothing fits, the card is clamped into the frame and its tail moves to keep pointing at the pin. A card hanging off the edge is the defect that only turns up at the breakpoint nobody opened, so every pin position on a phone is swept against every card side.

It opens on tap, not hover, so it works on a phone. Hover is one switch for desktop, and a tap still opens even then.

Pins are real buttons in a labelled group. Tab reaches them, arrow keys move between them, Escape closes the open card, and each pin has a visible focus ring.

The picture is a Slot, an Image control, or neither. Drop any Framer frame in, point the image control at a file, or leave both empty and it draws its own scene, so it is finished the moment it lands on a canvas.

Every pin takes an x and y in per cent, a title, a body and a link, so pins stay where you put them at every breakpoint. Pin size, numbers, the pulse, card width, the gap, preferred side, radius, font and every colour are controls, and the pulse stops for a visitor who asks for less motion.

No dependencies, nothing fetched.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

68:T6f2,

A command palette for Framer: press the key, type two or three letters, and the list narrows to the page you meant.

The matching is a scored fuzzy match, not a substring test. Typing chlg finds Changelog and bkdm finds Book a demo. Ranking prefers a match at the start of a label, then a run of adjacent letters, then a word start, then the shorter label, and the letters that matched are highlighted where they sit. A query that matches nothing in a label still matches its description, one rank below.

It is a real combobox, not a styled div. Arrow keys move the selection and wrap, Enter opens the row, Escape closes and hands focus back to whatever opened it. The input carries aria-activedescendant and every row is an option inside a listbox, so a screen reader announces the row that is selected rather than rereading the whole list on each keystroke.

Two modes, one switch. Inline is a search panel that sits in the page. Overlay is the one people mean by Cmd K: a small trigger in your nav, the panel over a dimmed page, and the shortcut bound for real, printed as Cmd on a Mac and Ctrl everywhere else.

Rows are a property control: label, description, group and link, with a heading once per group. Colours, radius, font, rows shown, placeholder and empty text are all controls.

Nothing is fetched at runtime.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

69:T703,

A before and after slider for Framer: two layers, one split, drag the handle to wipe between them.

It takes two SLOTS, not two image URLs. Either side can be any Framer frame: a photograph, a section, a stack, a video, a whole layout. Comparing two designs is the same component as comparing two photographs.

It does not eat the page scroll. The touch axis is set to the one the split does not use, so on a phone a finger dragging down the page still scrolls the page while a finger dragging across still moves the split.

The handle is a real slider, not a decorated div: role=slider and aria-valuenow, arrow keys move it by a step you set, Home and End throw it to either end, and it has a visible focus ring. A keyboard visitor gets the same control as a pointer.

Horizontal or vertical. Captions on both sides fade out as the split closes over them. Start position, key step, divider, handle size, colour and icon, corner radius, label colours and the focus ring are all property controls, and follow-on-hover and drag-from-anywhere are each one switch.

Nudge plays once when the frame first scrolls into view, because a still before and after looks like a plain image. One control turns it off, and it is skipped for a visitor who asks for reduced motion.

No dependencies, no gesture library, and nothing loaded from a server.

After purchase you receive the component URL. In Framer, press Insert, choose Add Component URL, and paste it.

6a:T727,

Browse 5,189 3D icons, illustrations and Lottie animations without leaving the canvas, and drop the ones you own straight onto the page.

Search the whole catalogue, filter by shelf or by pack, and pick as many as you want. The price follows the size of your selection and it is computed by the shop, not by the panel, so the number you see is the number you pay. Press Buy and the selection is waiting for you on the shop, with the licence and the terms in front of you.

Once you own something, inserting it is one click. No download, no unzip, no dragging files into the assets panel, and nothing to re-do on the next project.

WHAT LANDS ON THE CANVAS

SVG where the item ships one, otherwise PNG, inserted as an image fill so it stays sharp at any size. The layer arrives named, with its own alt text already set. Lottie items have no still frame to place, so those upload into your project's assets and the plugin hands you the URL to paste into a Lottie layer, rather than pretending to insert something.

HOW IT IS SOLD, SO THERE IS NO SURPRISE

The plugin is free and the artwork is not. Installing it gives you the whole catalogue to search and price, and the files themselves come from your own majedesigns account. Nothing is bundled inside the download: a plugin ships its source to everyone who installs it, so there is no artwork in here to take.

SIGNING IN

Your shop address, then a six digit code. No password. The sign-in lasts a week and renews itself while you are using it, it can insert only what you already own, and you can cut it off at any time from your library page on the shop.

Your project never leaves your browser. The plugin reads a public catalogue file, and asks the shop for one file at a time.

6b:T6fd,

A cross-border payments website built around the one number a pricing page never states: the exchange-rate markup.

The demo's cheaper provider is the one advertising a fee. Send GBP 2,000 to the eurozone on a mid-market rate of 1.17 and the zero-commission broker delivers EUR 2,272.14, taking EUR 67.86 or 2.90%, all of it in the rate. The one advertising a GBP 11.40 fee delivers EUR 2,318.52 and takes EUR 21.48, or 0.92%. That is EUR 46.38 a transfer and EUR 1,113.12 a year at two transfers a month, and the headline fee points the wrong way.

The built-in calculator splits the cost into the five places it can hide, as a waterfall rather than five separate guesses: a flat fee, a percentage fee, the rate markup, an intermediary deduction and a receiving-bank charge. Each stage is computed from the money left after the one before it, so the five parts always sum back to the total exactly. It runs backwards too, solving for what you must send so a recipient receives an exact amount. Every input is a property control, twenty send and receive currencies included, and nothing needs code.

Twelve routes: home, a cost breakdown, CMS provider archetypes with a detail page each, CMS corridors with a detail page each, a timing page, a volume page for business payers, about, an enquiry form with pending and success states, privacy, terms and a custom 404.

Ten colour tokens, every one carrying a dark value, so the site has a real dark scheme and a rebrand is ten edits rather than a hunt for hex codes. Ten text presets across three breakpoints in Bricolage Grotesque over Sora. No photography ships with it, which means nothing to license and nothing to replace: it is type, hairline rules, colour and one instrument.

6c:T69c,

A salon website that tells you what a missed appointment actually costs.

Most salon sites show a price list. This one shows the arithmetic underneath it. The demo charges $65 for a cut, spends $12 of that on colour, foils and shampoo, and loses $53 every time a chair sits empty. That $53 is the number, not the $65, and it is the number the built-in calculator is about.

Put your own chairs, opening hours, average ticket, consumable cost, no-show rate and late-cancel rate in and it works out what those empty chairs cost you a month, in contribution rather than in billed revenue. Then it does the part almost nobody does: it works out what deposit level actually pays for itself, including the bookings a deposit turns away. On the shipped figures break-even is $33.13, the demo charges $20, and the policy runs about $688 a month at a loss. The site says so, in three places, because a template that only shows the flattering half of a sum is not much use to somebody deciding what to charge.

Twelve routes: home, a CMS service menu with a detail page per service, CMS stylists with a detail page each, a deposits page, a membership comparison, a booking enquiry form with real pending, success and error states, an about page, privacy, terms and a custom 404.

Eleven colour tokens, every one carrying a dark value, so the whole site has a real dark scheme and a rebrand is eleven edits rather than a hunt for hex codes. Ten text presets across three breakpoints in Fraunces over Manrope. No photography ships with it, which means nothing to license and nothing to replace: it is type, hairline rules, colour and one instrument.

6d:T803,

Millwright is a contract manufacturing template that publishes the number a quotation never prints: the quantity at which tooling stops dominating what each unit costs.

On its own shipped defaults, a supplier quotes $4.20 a unit at 1,000 pieces. The landed price actually paid is $14.04, 3.34 times the quoted rate, once an $8,000 tool, freight, duty and scrap are spread across the order.

The home page opens on that gap directly: a field of 400 shaded cells, one per four-hundredth of the landed price, tooling taking 228 of them at 1,000 units, the quoted and landed rates printed side by side.

The break quantity gets its own page. At 1,867 units tooling stops being the largest share; at ten times that, the landed price still only reaches $4.99, never the $4.20 quoted, because freight, duty and scrap do not amortise the way tooling does.

A tooling page names the three ways a supplier recovers that charge: a separate line, folded into the rate, or spread across a volume you never agreed to. Published sources describe all three happening; none says how often, so this page does not either.

Six parts and six materials sit in their own CMS collections, each part carrying its tooling class, supplier minimum and quantity-break table. The ratio between quoted and landed runs 1.48x to 5.41x across them.

A request-for-quotation form collects the part, quantity, process and tolerance a visitor actually has, with its own acknowledgement on submit.

Thirteen pages including lead times, landed cost, privacy, terms and a custom 404, eleven colour tokens, nine changing value between schemes, Archivo over Martian Mono, figures set in tabular numerals.

No photography and no renders: the argument is carried by the instrument itself.

The shipped defaults describe injection moulding. Millwright is a demonstration template; every supplier, part and price on it is invented, and a CNC, sheet metal or PCB assembly shop would need its own numbers before the page means anything for them.

6e:T806,

Stillpoint is a reformer and mat studio that publishes the number every price list leaves out: the attendance at which a membership actually becomes cheaper than a pack.

The home page opens on two crossing lines, not a photograph: cost per attended class on the pack against cost per attended class on the unlimited membership, meeting at 7.66 classes a month on the shipped defaults.

That crossing point has its own page, not a widget beside static tier cards. Change the drop-in price, the pack size, price and expiry, the membership fee, the joining fee, the minimum contract or how often you come, in any of eight currencies, and both lines move live.

The asymmetry no price table prints: one class a month under breakeven locks a year of unlimited you did not use, 240.00 over twelve months, while one class over means you simply switch, 20.00. Undershooting costs twelve times as much as overshooting.

Three plans as they really are, each with its own trap named: the drop-in at 25, most expensive past seven classes a month; the ten class pack at 200, honest per class only if all ten get used inside its twelve week expiry; unlimited at 149 a month, billed every month of the minimum contract whether you come or not.

A passes page explains expiry, one freeze up to four weeks, and rollover of up to three unused classes, in plain prose rather than fine print.

Six classes on a real timetable and three teachers, each with their own page, from two CMS collections rather than a hand typed schedule.

Ten pages plus a real custom 404, cool near-white over one deep ink with a single clay accent, both colour schemes carrying their own values, a grotesk display face over a plain body face, rates set in tabular figures.

No stock photography and no renders anywhere: the argument is carried by type, a hairline rule and one drawn chart.

Stillpoint is a demonstration studio. Every price, class and teacher here is invented and is there to be replaced with a real studio's own numbers.

6f:T7e5,

Marram is a twelve-room guesthouse site built around one question every OTA commission tool skips: not what commission costs a year, but how much of your own direct rate you can give away and still keep more than a channel leaves you.

The home page states it in one line: a guest pays $210 either way, and the house can hand back $34.60 of it, 16.47% off rack rate, and still net more than a channel booking. $64,392, the annual commission every other calculator prints, sits struck through beside it as the number nobody acts on.

A dedicated page runs the instrument: $148.15 net per channel booking after commission and cancellations, $180.09 net per direct booking at full rate, an advantage of $31.94 a room-night, and a discount slider that moves the arithmetic live. A billboard input, set to 30%, strips out bookings that only exist because a guest saw the property on a channel first, cutting the advantage to $22.35.

All twelve rooms carry a break-even direct rate beside the channel rate, $175.40 against $210 up to $258.94 against $310. A rates page runs the same arithmetic by season, four bands each with a minimum stay and a direct column.

Five walks from the door, tide gated or not. A page on the house: dinner at one sitting, a boot room instead of a spa. A directions page states plainly the last half mile is an unmade track. An enquiry form takes a name, email, dates and a party size, answered by a person, not a booking engine.

Thirteen page templates including a custom 404, three CMS collections behind the rooms, the seasons and the walks. A grotesk carries display and body, a serif is set aside for every priced figure, so numbers read differently from the prose. Sixteen colour tokens, each with its own dark scheme value, on a cool grey green ground.

The house, its rooms, its rates and every figure are invented to demonstrate the calculator, not a real business, and the photography is Unsplash placeholder work meant to be replaced with your own.

70:T7fe,

Clapperfield is a roster of five creators who publish their own day rates, built around a live calculator that prices what a usage licence adds once a brief needs more than one organic post.

The home page shows the maths for one booking: 620 a day across twelve deliverables is 7,440 on the rate card, and Instagram plus TikTok, a six month term and one month of paid boosting bring the licensed total to 14,225, 91.2% on top of a fee nobody negotiated separately.

The calculator has its own page, not a widget beside static tier cards: base day rate, deliverables, five platform toggles, a usage term, a boosting window, an exclusivity window and a territory, each adding its own line, and stating which figures are sourced and which are a convention.

Five creators publish their day rate on the roster page: 620 for kitchen demos in Lyon, 540 for outdoor apparel in Fort William, 780 for skincare in Peckham, 460 for tools and repair in Brno, 700 for interiors in Bergen, each with a page naming their formats and deliverable count.

Four real campaigns show the licence a fee actually bought, not the fee alone: a six week skincare campaign across three platforms, three months of boosting and a three month exclusivity window turned a 4,680 fee into 15,402 invoiced, 229.1% on top, of which boosting alone is 9,720.

A rights page explains the four priced rights in plain prose, platforms, term, paid media boosting and exclusivity, plus how territory scales all four, so no figure on the calculator is the first time a buyer has seen the reasoning behind it.

Ten pages plus a real custom 404, two CMS collections behind the roster and the campaigns. A grotesk display face sits over a plain body face, and every rate, fee and percentage runs tabular and monospaced so columns line up. Seven colour tokens carry their own dark scheme values.

None of the day rates, the five people or the four campaigns here belong to anyone; built to demonstrate the calculator, not to describe a real business.

71:T7e0,

Every roofer who publishes a number on this shelf publishes a rate per square metre, and Copingstone exists to show what that rate leaves out.

On the shipped defaults, a 120 square metre footprint at a 35 degree pitch is 146.5 square metres of actual roof, because a roof's surface is not the ground underneath it. A bare rate per square metre reads $8,497. Tear off, scaffolding, waste removal and an eight per cent contingency bring the real figure to $13,598, sixty per cent higher, each line building left to right as its own column, not folded into one total.

A second page argues about borrowing, not building. Financed over five years at 9.9 per cent, the banner a roofer leads with says $288 a month. The total actually repaid is $17,295, $3,697 more than the cash price, 27.2 per cent on top, not a number left for a buyer to work out.

The home page carries no eyebrow, no display headline and no pair of buttons above the fold. It opens on a roof section instead, drawn at whatever pitch a visitor sets, footprint underneath and roof surface over it, so the relationship the estimate runs on is watched, not stated.

Twelve pages and two CMS collections: five roof types, each with a minimum pitch, a typical pitch, an install rate and a service life; five finished jobs, each carrying its own naive figure against its own real one, one noting that four thousand of the difference is tear off, waste and the scaffold. A survey page states what two hours on a ladder actually settles, and a guarantee page states what is covered, and what is not, including that the guarantee transfers once, free, if the house is sold.

Set in a variable display face that widens and thickens on the home headline, a plain grotesk body, and a monospaced figure face for every number on the site, so nothing invoice shaped has to line up by hand. Seven colour tokens, each with its own dark scheme value.

The company, its roofs, its finished jobs and its guarantee are fictional.

72:T7c5,

Hollybank is a complete Framer website for an early years nursery, and the argument is what the rest of the Education shelf will not print: a fee, a ratio, a place count, and the shape of the day.

Twenty three templates on this shelf carry a Kids tag and eleven of them are free. Not one of the childcare sites sampled publishes a fee, a ratio or a place count anywhere a visitor can reach. Hollybank is a plain administrative register instead.

The home page opens on a single vertical rail, not a headline. Time runs down the left edge from 07:30 to 18:00, each block is one part of the day with its own adult to child ratio, and one continuous shaded band marks the hours funding actually covers.

A second instrument lives on its own page. On the shipped defaults, fifteen funded hours a week for thirty eight weeks is 570 hours a year, stretched across the fifty one weeks a family actually attends that is eleven hours eleven minutes, not fifteen. Meals and registration are charged on every attended day whether funded or not, so the estimate built from the headline $6.50 an hour comes to $9,945 a year; the bill this calculator actually builds comes to $15,983, and the true rate on the hours funding does not touch is $9.27 an hour, not $6.50.

Sixteen pages and seven CMS collections: four rooms with live places-open counts (Hazels reads zero and means it), eight fee lines including the two priced above the hourly rate, three terms plus the thirteen holiday-club weeks, six staff records carrying years in post, four dated notices, and eight questions answered in full. The last inspection is published with both actions raised and what changed since, not reduced to a grade.

Set in Cabinet Grotesk over Familjen Grotesk, whose digits are uniform width, so every table of times and money lines up on its own. Thirteen colour tokens, twelve with a distinct dark value.

The nursery, its rooms, its staff and its inspection are fictional.

73:T60f,

Thistledown is a complete Framer website for a wedding venue. The argument is the page a visitor lands on before reading a sentence: every Friday, Saturday and Sunday left in the year, and what each one costs, with no enquiry form between a couple and the number.

Twelve months run across the home page as a priced grid, each carrying a season band and two fees. On the live defaults, May is Peak at $8,200 for a Saturday and $5,700 for a Friday or Sunday, January is Quiet at $3,800 and $2,650, and a "dates left" count sits under every month, down to "Fully booked" in July.

A second instrument lives on its own page: a guest-cost calculator that separates the average a couple is quoted from the marginal cost of the next guest. On the shipped defaults, 80 guests average $140.00 a head for $11,200 total, guest 81 adds only $85.00, and under 59 guests the minimum stays flat at $5,000 no matter how many seats are cut.

Fourteen pages and five CMS collections: twelve priced months, five hireable spaces with seated and standing counts, six real weddings with their guest numbers, three packages from dry hire to a full weekend, and eight questions answered without a phone call. Set in a bespoke display serif over a plain grotesk body, with tabular figures so the date grid's columns line up on their own. Twelve colour tokens, each with a distinct dark value, no card or shadow anywhere but the platform's own badge.

The venue, its spaces, its six weddings and its prices are fictional.

74:T55d,

Bevelwork is a Framer template for a design agency or independent studio, built on one number most studios never publish: what a fixed fee paid per hour once the unbilled revision rounds, the scoping done before the job existed, and the wait for payment are all counted.

The work index carries a Realised $/hr column next to every project, and the same rate calculator runs on the home page and again on its own Rates page. On the numbers it ships with, $150 quoted per hour becomes $102.53 realised on 174 hours actually spent: a 31.6 percent gap, plus $159.78 for the cost of waiting to be paid.

The calculator prices revision rounds as a step, not a slope. On the shipped defaults the floor sits at $95 an hour, the job drops under it at round five, so four rounds are affordable and a fifth is not.

Dark, near black, with one high chroma violet accent used on figures and the primary button, a monospace variable display face set over a plain humanist sans body, and tabular figures throughout. Two CMS collections, six projects and five journal posts, sit alongside pages for rates, services, the studio and contact.

Built for an agency or studio that would rather argue about scope in public than surprise a client with an invoice later. The studio, its six projects and its four staff members are fictional.

75:T51e,

Willowmere is a complete Framer website for a veterinary practice. The argument is the page a visitor lands on before reading a sentence: a published price list, not a hero image.

Twenty-one procedures are priced from a routine consultation at $65 to a dog spay at $420, each row carrying a typical range and its own column for what the price excludes: the tests, the medicine, the second visit. No cards anywhere; the whole site is ruled rows and hairline tables.

A second instrument sits on its own route: a lifetime cost calculator, insured pet against uninsured across ten years. On the shipped defaults it returns $10,084 against $8,500, the insured total overtaking in year six. A claim under the $100 excess pays nothing; after excess and co-insurance the policy covers 75 percent of a typical $600 claim, not all of it.

Thirteen pages, including a price list and an advice section each with its own CMS detail template (21 procedures, 5 guides), three health plans compared row by row, and an out-of-hours panel that asks three questions before it shows a phone number. Set in Gabarito over Hanken Grotesk, rounded, with tabular figures. Eleven colour tokens on a warm oat page, no dark band anywhere. The practice, its prices and its guides are fictional.

76:T7bf,

Brightfell is a complete Framer website for a solar installer, and the argument is the calculator on the front page.

Every solar quote prices all your generation at the import tariff, divides the install cost by the first year of saving, and stops. On the template's own defaults that gives 13.4 years. After panel degradation, after the seventy percent of generation that leaves at the export rate instead of the import rate, after annual maintenance and after one inverter replacement, the same array pays back in 22.5 years. The gap is 9.1 years and it is on nobody's quote.

The home page opens on that calculator rather than on a headline, so a visitor changes a number before they read a sentence. Every figure is a property control: array size, install cost, annual yield, self-consumption, both tariffs, bill inflation, degradation, inverter cost and year, maintenance, and a currency selector with eight options.

Fourteen pages: home, the calculator on its own route with a twenty-five year cashflow table, systems and kit, an installs index with its CMS detail template, finance, process, about, a journal index with its detail template, contact with a working enquiry form, privacy, terms and a custom 404. Desktop, tablet and phone are laid out, including a drawer navigation.

Installs are a CMS collection. Each record stores its own array size, panel count, yield, generation, install cost, self-consumption and the bill before and after, and those numbers drive the card stats, the totals strip and the whole spec panel on the detail page. Add a job once and it appears correctly in three places.

Set in Saira at width 104 to 112 over Geist. Seventeen colour tokens, every one carrying a dark value, so the site follows the visitor's system theme and rebranding is a colour change rather than a rebuild.

The firm, the six installs and the five journal notes are fictional.

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