A real paper surface: felted fibres, grain, uneven thickness, and a raking light that travels very slowly across it to reveal the relief. At full size it reads as rag paper, not as a repeating pattern - the felting is irregular and the tone layer runs on a different period from the fibre tile, so nothing ever lines up.
The shading of a nearly flat surface is a linear combination of two fixed images, so the height field with its 2400 drawn fibres is computed once and turning the light costs almost nothing.
This is the quiet one, on purpose. It is a premium background for a page whose content should stay the subject. If you want movement, look elsewhere; if you want a surface that makes the text above it look printed, this is it.
Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.
A real paper surface: felted fibres, grain, uneven thickness, and a raking light that travels very slowly across it to reveal the relief. At full size it reads as rag paper, not as a repeating pattern - the felting is irregular and the tone layer runs on a different period from the fibre tile, so nothing ever lines up.
The shading of a nearly flat surface is a linear combination of two fixed images, so the height field with its 2400 drawn fibres is computed once and turning the light costs almost nothing.
This is the quiet one, on purpose. It is a premium background for a page whose content should stay the subject. If you want movement, look elsewhere; if you want a surface that makes the text above it look printed, this is it.
Canvas, nothing loaded from outside. Honours prefers-reduced-motion and freezes on the Framer canvas.
